Ewan McGregor, after Trainspotting 2 doubles Fargo 3

The Scottish actor will play the twin brothers protagonists of the third season of the FX television series, coming soon for 2017

Ewan McGregor will be the new star of the third season of Fargo.

The actor, who is currently on the set of Trainspotting 2, joined the cast of the TV series of FX.

With a dual role as a protagonist. McGregor will play the two brothers Stussy: Emmit is a successful man: handsome, rich, and real estate magnate Minnesota.
His twin brother Ray, however, is a plump and, above all, is a frustrated agent criminals on probation supervision. Moreover, Ray blames his own frustrating condition to his brother Emmit.

Even for McGregor, he is winning an Emmy for his performance as a guest star of ER – Doctors at the forefront in 1997, playing two characters, and so tied to the conflict, will be a good challenge. The third season of Fargo, scheduled for 2017, should begin shooting later this year.

Jessica Goicoechea. From Cancun to Milan, the model never stops

Solar beauty. I can not find better words to define it. Jessica is pure light that give off the blond hair, the one that shines from his open smile and her amber skin.

This is our second rendezvous. We had met in Berlin last year. Yet every time I see me winning … now comes direct from Cancun and pack together with the clothes you bring glamor of a colorful land.

From Malpensa to the set, non-stop, with typical Iberian humor. always he smiles, shakes her mass of blond hair framing her face and conquer the whole team working in a second.

The super tanned skin tells a playful beauty, Sara, the make up artist opts for a make up light, which reveals all the sunny, Veronica stylist tends more to “discover” that covers a statuesque body where the sign Costume it is just a detail.

The day runs between photo shoots chatter, smiles and a cooked to perfection by the chef improvised carbonara Filippo, Roman de Rome. A refreshing break to get back to work with more enthusiasm than before, Jessica “lights up” the set with its warm and crystal colors, is full of energy … just like the sun that leads inside. so I am not surprised that ended the shooting ask me a ride to Malpensa: who is full of life, does not stop for a moment!

Cancun-Milan-Barcelona … .in one to two days. A little ‘envy (or maybe not). Hola Je, ¡buen viaje !! Until next time.

Amber Heard, disappointed wife. And yet … Throw it away, such!

Avercene beauties like Amber on your side! And they look at you as she watched Depp.
Tapered legs and a face with icy eyes that open when in the mood, in a cool, open smile.
With these ‘weapons of seduction’ Amber Heard is beautiful and dangerous.
Not surprisingly, the sequence of freeze-frame in which pointing a gun is almost as long as that of the film in which he starred.
And it is probably with this perfect mix of dark lady who conquered what is about to become her ex-husband, Johnny Depp on the set of The Rum Diary – Chronicles of a passion five years ago.
He dropped everything to be with her together (the companion of almost a lifetime, Vanessa Paradis, and the roof they shared with their children, to guidance that had restrained her restless spirit, say gossip).
She has continued unabated its advance, slowly but surely, among Machete Kills and Magic Mike XXL, until the Oscar-nominated The danish girl to Aquaman and The Justice League – first part that should mark his final consecration of here in two years .

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From that to her husband’s side bad boy, even when it comes to holidays with four-legged friends, Amber Heard is passed to an exclusive engagement with the big screen. ‘Divergence irreconcilable’ the move away from celebrity wedding where, on balance, the only one that is likely to stay high and dry is Johnny Depp. And looking at it, one wonders. But as he did, fifty (no longer) in form to be run as a companion? Especially that gives you glances ‘hungry’ and accomplices as his.

Valentino signature La Traviata

Sunday in Rome was held the first of Traviata, directed by Sofia Coppola and costumes by Valentino Garavani
A recessed so the Opera House of Rome l do not ‘had ever seen: one million and two hundred thousand euro.
Director: Sofia Coppola.
Art Direction: Nathan Crowely (the genius of the images, in curriculum: Batman Begins and The Dark Knight)
Costumes: Valentino Garavani who signed the Violetta gowns (and sewn in the studio); Maria Grazia Chiuri and Pierpaolo Piccioli, creative directors of the House, have designed the Flora’s dresses and those worn by the choir (in collaboration with the tailoring of the Opera)

He told so, no one would imagine what it was but trattavasi de La Traviata. And in fact it was an unrepeatable spectacle. In Rome, Teatro dell’Opera.
Who was there said that Rome, on the first night, really looked like the old Rome of the great cinema.

Only fifteen evenings: from 24 May to 30 June.

Sofia Coppola’s Oscar for Lost in Translation, said, “I did not know to expect and I would not have found the courage to direct an opera, but then Valentino asked me” and apparently has not been able to say no.
Her stylist says, “has a strong musical sensibility and aesthetic sense. Sa grant classic and modern “.

Viewers of exception: virtually everyone.
Nobody wanted to miss such an event (arrived for the occasion, from Cannes, even Mr. and Mrs. West, Kim and Kanye).
In short, it becomes difficult not to want to go.

The Neon Demon: Nicolas Winding Refn and his supermodel cannibals

The Neon Demon: Nicolas Winding Refn and his supermodel cannibals
Sex, blood, envy, primal instincts, necrophilia arrive in competition at Cannes 69. In a thriller without limits. booed

When shooting a movie it is fun as hell, and it shows. Provocative, irreverent, exaggerated, Nicolas Winding Refn is a mature author with his perfectly recognizable style.

The Neon Demon, in competition at the 69th edition of the Cannes Film Festival, is his first film totally feminine, with a harem of actresses of breathtaking beauty and uncommon charisma led by Elle Fanning and good Jena Malone. “In a film, the acting is everything: try to pay attention to every single detail, supervisions photography and set design, but if the performances of the actors are not convincing you take it and throw it,” said the director, proud of the choice of his protagonist. “Elle and ‘really very good, I’ve never met anyone like her.”

The film portrays an emerging model of sixteen with that “something more” that makes it special in the eyes of all, by the strictest photographers the most demanding stylists, make up to the lesbian artist (Malone, in fact) that he falls in love at first glance.

Rivalry and female attraction run hand in hand, in the unfolding of a thriller splatter colors that intends to make fun of the fashion world’s obsession with beauty and power, abuse of cosmetic surgery and the fierce competition between models .

The excess is the rule, together with the form and substance of the film. Cannibalism, necrophilia, whole naked: everything is permitted, everything is on display. So Refn: “The creativity of each of us harbored a Dr. Jekyll and Mr. Hyde: When you create can exercise and practice all your desires, fetishes, things that images and in reality you can not do.” But yes to the movies, and you can be watching. Then the public will react in various ways: to press screenings in Cannes, in the meantime, the film was fischiatissimo and underappreciated.

At the end of check he credits the dedication to his wife, Liv Corfixen, author of a documentary about him. “I owe a lot to my wife are deeply dependent on her, are what they are because of her. Before meeting her I was too self-destructive. ” Curious, it was the feminine beauty to save him: “I am surrounded every day by the beauty of women: my wife, my daughters, actresses. In this film I wanted to tell the teenager that inhabits the soul of every human being, women as well as men. ”

Sex, blood, homoerotic passion, violation of corpses, Refn does not stop at nothing and ends up signing something of a hybrid, which is exactly half between a hopeless mess and an unlikely masterpiece. The rule trash alongside targeted directorial choices, the unintentional comedy dampens a substantial tension and palpable, the skill of the actresses stride with the tight space left to the actors much wasted / sacrificed (Keanu Reeves Karl Glusman, already seen in Love).

The rest is pure hedonistic taste for staging, with make-up, lighting and costumes by excessive colors, hyperbole scattered everywhere, no way to measure.

All the fault of Elia Kazan: “I met him twenty-five years – says Refn – He said, ‘Whatever you say, you make a film in your own way. Do not listen to anyone, no part of the system ‘. And so I continue to make my way to the cinema, never cover my films: once shot does not interest me. “